SELECTED BIBLIOGRAPHY Px3Competition Catalogue, 2012. (Forthcoming) Charltan Ink Art catalogue, published by Charltan Ink LLC, 2011. (Forthcoming) "The Death Mask in the Darkroom 2: The Window and the Mirror." Nancy Brokaw, Image World, July 2011. "The Death Mask in the Darkroom 1." Nancy Brokaw, Image World, June 2011. "Portfolio Review." Irina Chmyreva, Photo User, Article and photo, 2011. Center Forward Exhibition Catalogue, published by The Center for Fine Art Photography, 2011. SHOTS Magazine, no. 112, Summer 2011. "Frank Rodick," EYEMAZING Magazine, Artists Issue 04 - 2010, Text by Clayton Maxwell, 2010. See pdf. "Labyrinth of Desire: Work by Frank Rodick." Book accompanying exhibition of the same title at Colton & Farb Gallery. Essay by Katherine Ware, Curator of Photography at New Mexico Museum of Art, 2010. See pdf. "The Charnel House and the Peep Show," by Nancy Brokaw, Image World (blog), 2010. "From the Interior: Frank Rodick," Part One, Part Two, by Darren Campion, The Incoherent Light (blog), September 2010. Foto & Video, article and portfolio, written and selected by Irina Tchmyreva, curator, lecturer, and writer, June 2010. SHOTS, no. 104, Summer 2009. "A Ruthless Voyeurism," by Nancy Brokaw, Image World, May 9, 2009. Vay Ven, “Ville Liquide de Frank Rodick,” November 25, 2006. El Pais, November 2006 La Republica, November 2006 Galeria, November 2006 “On the Town,” The New York Sun, September 28, 2006. “Sex, Death, and Videotape,” by Nancy Brokaw, The Photo Review, Vol. 27, No. 4, Spring 2006. Photonews (Germany), April 2006. FotoFest 2006 catalogue, Houston, 2006. “Houston ’06,” fotoTAPETA, 2006. “Life’s Lacuna: The Vanishing Pleasure Dome. A Review of Frank Rodick’s ‘The Celestial Abattoir”, by Robert Black, Art Post Toronto, June 2005. Catalogue for exhibition at Galeria Arkis, Buenos Aires, 2005. Catalogue for exhibition at FotoGaleria del Téatro San Martin, 2005. Essay by Juan Travnik, curator. “In quest of a sensitive identity,” by Alina Tortosa, The Buenos Aires Herald, 2005. “Frank Rodick,” Clarin, (Argentina) March 6, 2005. “Sex, lies, fear, violence and video,” review of Arena exhibition at Museum of Fine Arts of La ioja, Diario Nuevo Rioja, February 2005. “Arena,” El Independiente, February, 2005. Interview with Marc Montgomery (regarding Arena), CBC Radio International , 2005. “Arena,” Foto Mundo, 2003. “Keeping in Touch,” by Alina Tortosa, The Buenos Aires Herald, September 2003 “An Indomitable Quest for Life As It Is,” by Alina Tortosa, The Buenos Aires Heral, January 2003. “Liquid City,” La Voz del Interior, Argentina, 2002. “Interview with Frank Rodick,” www.fotorevista.com.ar, August 2002. “Frank Rodick: Transformation of an urban landscape,” Foto Mundo, #410, August 2002. Catalogue of the XII Encuentros Abiertos, Argentina’s twelfth annual Festival of Light, July 2002. “A festival of personal images,” La Voz del Interior, Cordoba’s daily newspaper, July 2002 “Portfolio: Frank Rodick,” by Stephen Perloff, The Photo Review, Spring 2000. “Frank Rodick at Harbourfront Centre,” by Gary Michael Dault, The Globe and Mail, December 23, 2000. “Noteworthy: Frank Rodick”, The National Post, October 28, 2000. “The Haunting Beauty,” Tandem, November 25, 2000 “Liquid City: The Photography of Frank .Rodick,” myTO.com, web article, October, 2000. “Frank Rodick—Liquid City,” toronto.com, editorial profile, November 2000. Manhattan Arts International, January-February 2000. Merrick Life (review), March 1999. The Photo Review, Summer 1997 Thirteenth Annual Juried Photography Competition. Juror: Emmet Gowin. Q30 Design project for Domtar Sandpiper, December 1997. The Beach Metro News (review),May 1997. Why Magazine, Fall 1996. The Lakesider (review), February 1996. “Fresh Ideas,” INSITE: Architecture and Design, September 1995. The Photo Review, Summer 1994. Tenth Annual Juried Photography Competition. Jurors: Mary Panzer, Curator of Photographs, National Portrait Gallery, Washington, DC, and Deborah Willis, Collections Coordinator, National African American Museum Project, Washington, DC. Now Magazine, October 8, 1992. |
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